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Oil Paintings
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BOTTICELLI, Sandro
Italian Early Renaissance Painter, 1445-1510
Alessandro di Mariano di Vanni Filipepi, better known as Sandro Botticelli or Il Botticello ("The Little Barrel"; March 1, 1445 ?C May 17, 1510) was an Italian painter of the Florentine school during the Early Renaissance (Quattrocento). Less than a hundred years later, this movement, under the patronage of Lorenzo de' Medici, was characterized by Giorgio Vasari as a "golden age", a thought, suitably enough, he expressed at the head of his Vita of Botticelli. His posthumous reputation suffered until the late 19th century; since then his work has been seen to represent the linear grace of Early Renaissance painting, and The Birth of Venus and Primavera rank now among the most familiar masterpieces of Florentine art.
Details of Botticelli's life are sparse, but we know that he became an apprentice when he was about fourteen years old, which would indicate that he received a fuller education than did other Renaissance artists. Vasari reported that he was initially trained as a goldsmith by his brother Antonio. Probably by 1462 he was apprenticed to Fra Filippo Lippi; many of his early works have been attributed to the elder master, and attributions continue to be uncertain. Influenced also by the monumentality of Masaccio's painting, it was from Lippi that Botticelli learned a more intimate and detailed manner. As recently discovered, during this time, Botticelli could have traveled to Hungary, participating in the creation of a fresco in Esztergom, ordered in the workshop of Fra Filippo Lippi by Vitez J??nos, then archbishop of Hungary.
By 1470 Botticelli had his own workshop. Even at this early date his work was characterized by a conception of the figure as if seen in low relief, drawn with clear contours, and minimizing strong contrasts of light and shadow which would indicate fully modeled forms. |
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BOTTICELLI, Sandro
The Story of Nastagio degli Onesti (detail of the second episode) dghg
1483
Tempera on panel
Museo del Prado, Madrid
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BOTTICELLI, Sandro
The Story of Nastagio degli Onesti (detail of the second episode) hgf
1483
Tempera on panel
Museo del Prado, Madrid
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BOTTICELLI, Sandro
The Story of Nastagio degli Onesti (third episode) fdgfd
1483
Tempera on panel, 83 x 142 cm
Museo del Prado, Madrid
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BOTTICELLI, Sandro
The Story of Nastagio degli Onesti (detail of the third episode) vgd
1483
Tempera on panel
Museo del Prado, Madrid
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BOTTICELLI, Sandro
The Story of Nastagio degli Onesti (forth episode) df
1483
Tempera on panel, 83 x 142 cm
Private collection
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BOTTICELLI, Sandro
San Ambrogio Altarpiece
c. 1467-70
Tempera on wood, 170 x 194 cm
Galleria degli Uffizi, Florence
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BOTTICELLI, Sandro
St Augustine fdgdf
1480
Fresco, 152 x 112 cm
Ognissanti, Florence
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BOTTICELLI, Sandro
The Annunciation fd
1480
Fresco, 152 x 112 cm
Ognissanti, Florence
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BOTTICELLI, Sandro
The Annunciation gfhfghgf
1489
Tempera on wood,150 x 156 cm
Galleria degli Uffizi, Florence
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BOTTICELLI, Sandro
San Barnaba Altarpiece (Madonna Enthroned with Saints) gfj
1490
Tempera on wood, 268 x 280 cm
Galleria degli Uffizi, Florence
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BOTTICELLI, Sandro
San Barnaba Altarpiece (detail: head of St John) gdfg
1490
Tempera on wood
Galleria degli Uffizi, Florence
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BOTTICELLI, Sandro
The Cestello Annunciation dfg
c. 1489
Tempera on panel, 150 x 156 cm
Galleria degli Uffizi, Florence
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BOTTICELLI, Sandro
The Coronation of the Virgin (San Marco Altarpiece) gfh
1490
Tempera on wood, 378 x 258 cm
Galleria degli Uffizi, Florence
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BOTTICELLI, Sandro
The Discovery of the Murder of Holophernes bfg
c. 1472
Tempera on wood, 31 x 25 cm
Galleria degli Uffizi, Florence
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BOTTICELLI, Sandro
The Return of Judith to Bethulia hgg
c. 1472
Oil on panel, 31 x 24 cm
Galleria degli Uffizi, Florence
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BOTTICELLI, Sandro
Lamentation over the Dead Body of Christ dfhg
1495
Tempera on wood, 140 x 207 cm
Alte Pinakothek, Munich
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BOTTICELLI, Sandro
The Adoration of the Magi dfg
1470-75
Tempera on panel, 111 x 134 cm
Galleria degli Uffizi, Florence
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BOTTICELLI, Sandro
The Adoration of the Magi (detail)
1470-75
Tempera on panel
Galleria degli Uffizi, Florence
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BOTTICELLI, Sandro
Mystical Nativity fg
1501
Tempera on canvas, 108,5 x 75 cm
National Gallery, London
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BOTTICELLI, Sandro
Giuliano de Medici
1478
Panel, 54 x 36 cm
Staatliche Museen, Berlin
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| BOTTICELLI, Sandro
|
Italian Early Renaissance Painter, 1445-1510
Alessandro di Mariano di Vanni Filipepi, better known as Sandro Botticelli or Il Botticello ("The Little Barrel"; March 1, 1445 ?C May 17, 1510) was an Italian painter of the Florentine school during the Early Renaissance (Quattrocento). Less than a hundred years later, this movement, under the patronage of Lorenzo de' Medici, was characterized by Giorgio Vasari as a "golden age", a thought, suitably enough, he expressed at the head of his Vita of Botticelli. His posthumous reputation suffered until the late 19th century; since then his work has been seen to represent the linear grace of Early Renaissance painting, and The Birth of Venus and Primavera rank now among the most familiar masterpieces of Florentine art.
Details of Botticelli's life are sparse, but we know that he became an apprentice when he was about fourteen years old, which would indicate that he received a fuller education than did other Renaissance artists. Vasari reported that he was initially trained as a goldsmith by his brother Antonio. Probably by 1462 he was apprenticed to Fra Filippo Lippi; many of his early works have been attributed to the elder master, and attributions continue to be uncertain. Influenced also by the monumentality of Masaccio's painting, it was from Lippi that Botticelli learned a more intimate and detailed manner. As recently discovered, during this time, Botticelli could have traveled to Hungary, participating in the creation of a fresco in Esztergom, ordered in the workshop of Fra Filippo Lippi by Vitez J??nos, then archbishop of Hungary.
By 1470 Botticelli had his own workshop. Even at this early date his work was characterized by a conception of the figure as if seen in low relief, drawn with clear contours, and minimizing strong contrasts of light and shadow which would indicate fully modeled forms.
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